Audio Phasor

I designed and built an audio phaser signal processor modeled after the effects heard in classic guitar pedals.

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The system used a chain of all-pass filter stages with time-varying resistances to periodically shift phase and create the characteristic “swooshing” heard when you press down a guitar pedal.

Group/Class

Electronic Circuits Lab

Skills

Analog Signal Processing | Frequency Domain Analysis | Circuit Simulation

Year

2025

Process

I began the design in LTSpice, modeling a single all-pass filter stage to understand how phase varied with frequency and to verify that a variable resistance could modulate the filter’s cutoff. Simulation allowed me to sweep resistance values and observe the shifting notch frequencies before I built out the circuit.

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After this, I built the first stage on a breadboard, introducing a variable resistance using an NMOS transistor biased in the linear region. By applying a periodic sinusoidal gate voltage with a DC offset, I was able to modulate the transistor’s channel resistance and shift the filter’s critical frequency in real time.

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After confirming the principle worked, I cascaded four all-pass filters to construct the complete phaser network. For recombination, I designed an op-amp summing amplifier to blend the dry input signal with the processed output. When selecting op-amps, I evaluated specifications such as gain-bandwidth product and slew rate to ensure they could handle the audio frequency range without distortion or excessive phase error.

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Testing began with pure sine wave inputs to confirm that the output magnitude varied periodically, then moved to recorded guitar and music tracks to evaluate the audible effect. I listened to the output through an amplifier and speakers, fine-tuning the modulation waveform and frequency. I also experimented with adding feedback paths around the filter cascade, which deepened the notches and created more dramatic tonal textures.

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Outcome

The completed phaser produced the expected periodic frequency cancellations and reinforcements, recreating the "swooshing" effect characteristic of commercial guitar pedals.

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The NMOS-based design achieved smooth resistance modulation at around 0.5 Hz and stable operation during audio tests.

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Other work